Ssshhh… this is on the lowdown, but there’s two new books coming.
This is one of those projects that’s very much “need to know” because this client wants my participation to be private. So I can’t share any identifying information.
Ssshhh… this is on the lowdown, but there’s two new books coming.
This is one of those projects that’s very much “need to know” because this client wants my participation to be private. So I can’t share any identifying information.
I’ve partnered with a creator who’s built out a massive future human sci-fi universe, filled with geological cataclysms, modified Earth species, alien species, interstellar wars, and more.
Sometimes, a “no” is the best deliverable.
I was approached by a client who was finishing up a non-fiction book. He had a very short deadline — ten days — to get the manuscript to his publisher. And he was up against the wall.
When I talk to writers about helping with their books, the first thing I always start with is “What draft are you on?” Because there’s a sweet spot where I can add value.
I’ve spent the last few months helping a new overseas client create a custom interactive teaching app for kids.
Well, the first draft of this latest ghostwriting gig is all done and delivered to the client. How’d it work out, and what’s next?
I worked with the client to build out the universe, confirm the rules of the magical elements, and polish the political and social structures that drive character motivations.
I’ll use whatever assets you’ve got to work with, and we’ll have a conversation (or two) to discuss your story, themes, concepts, and ideas before writing gets started. Here’s what that process looks like:
I’ve edited thousands of social media posts, whitepapers and eBooks,
email campaigns, website pages, screenplays, and elearning courses.
And without a doubt, there’s one singular problem they ALL suffer from.
Most arguments, and many conversations, are not really about the subject at hand. That’s what subtext is all about. Writing dialogue that in fact reflects the true nature of the dynamic between characters is (almost without fail) suboptimal.