So I was recently reading an article Hollywood Reporter about the new Oz the Great and Powerful, and learned that the source material is in the public domain.
Now, I should have known this… if I was a responsible screenwriter, I’d be doing that kind of research to find more sources of inspiration with cultural cache. Not that I’m lacking in concepts… but again – “cultural cache”.
But that’s another story… the important thing is, now I know this.
So that gets the brain working. I’ve got a personal attachment to this series… I learned how to read by sharing the Oz books with my mother… she’d read a paragraph, then I’d take a turn. Now, that was nearly 50 years ago, so I don’t rightly remember all the books and characters well, but perhaps it’s time to revisit them.
Well, we spent the past few months negotiating a new option deal on our horror creature feature “Faeries”. Now the deal’s done, and the producers are in LA putting together a biz plan, some previz materials, and other assets to round out the investor’s package.
What’s extra cool is that they’re positioning the property as a franchise, and asked us to give them a paragraph on what a sequel might look like as well. I always saw Faeries as a kind of Tremors property, with room for a couple of follow-up films. Maybe even a video game. So we’ll see what happens!
As always, feel free to join the Faeries Facebook page. Sometimes I update there more quickly than here on the blog.
Is the Western/Genre mashup gaining momentum? I hope so.
First a little self-congratulatory pimping:
Back in 2009 I wrote about the forthcoming Cowboys and Aliens movie, and discussed its potential to launch a new genre.
So the Science Fiction Western, while not new, may be welling toward a resurgence as a genre. God knows it deserves a reboot in the theaters after the horrific Wild Wild West (one of only one or two truly unwatchable Will Smith joints), and TV could use another crack at it too post the failure of The Adventures of Brisco County Jr. (an underrated show that never got its due, which also dipped a toe into SteamPunk, and got Bruce Campbell in front of an audience that wasn’t simply a gaggle of B-horror movie fanboys much like Burn Notice has done).
This is a passage that’s been rewritten SO many times in the screenplay it isn’t even funny. It’s a turning point for Lacey, a glimpse for her into her father’s process, and the beginnings of her realization that he’s human and hurting.
I’m hoping this is finally doing what it needs to do. Of course, this isn’t the whole conversation.