Wherein our producer asks us to create a dream cast… and who we chose.
Here’s one example of how the best stuff that appears on screen can have nothing to do with what’s in your screenplay… and why that’s great.
Does a company with deep success in distributing indie game titles have something unique to offer to indie filmmakers?
Since I’ve been art directing a zombie clown flick, this kind of caught my attention…
Is the Western/Genre mashup gaining momentum? I hope so.
First a little self-congratulatory pimping:
Back in 2009 I wrote about the forthcoming Cowboys and Aliens movie, and discussed its potential to launch a new genre.
So the Science Fiction Western, while not new, may be welling toward a resurgence as a genre. God knows it deserves a reboot in the theaters after the horrific Wild Wild West (one of only one or two truly unwatchable Will Smith joints), and TV could use another crack at it too post the failure of The Adventures of Brisco County Jr. (an underrated show that never got its due, which also dipped a toe into SteamPunk, and got Bruce Campbell in front of an audience that wasn’t simply a gaggle of B-horror movie fanboys much like Burn Notice has done).
Honor Flight documents the effort to fly as many WWII Veterans to visit Washington DC Memorials as possible – and breaks a world record in the process.
Honor Flight is an uplifting, feature-length documentary about an American community joining together to honor World War II veterans one last time. The film follows a devoted team of volunteers as they race against the clock to send every WWII veteran on an Honor Flight to see the war memorials in Washington, DC. The more they do, the more their cause takes on a life of its own.
Throughout the day, these WWII veterans share their wisdom and war stories — sometimes for the first time ever. After the trip, the veterans often say it was one of the greatest days of their lives. For many veterans, Honor Flight represents their first visit to Washington, DC, and the last trip of their remarkable lives.
If you’ve been following my previous post on Amazon Studios’ option model and consider list, you know I’ve chosen not to accept their offer to post my screenplay to their shortlist. The post was featured on John August’s website, and mentioned on Bleeding Cool.
But I still hold out hope that Amazon can straighten out all the confusion among screenwriters, and find some way for the writers to take advantage of the offer without compromising rights to their own screenplays.
I did get a follow up email from Amazon Studios that promised to clarify things. It didn’t.
NEW: Follow up post here
Amazon (yes, that Amazon) is launching a movie studio, and they just gave our horror screenplay Faeries a “consider”. What’s that mean? Not a lot, as near as we can tell.
First, here’s a brief primer on the history of the Amazon Studios deal. (I’m confident in my understanding of this history, but if I’m wrong about any of the details, point me at a source, and I’ll make a correction.)
How it all started
About a year ago, Amazon announced that they were going to become a movie studio, and produce their own content.
Virland Stan Harris passed away this past Friday May 4 in a motorcycle accident near Rose Valley, California.
I worked with Stan on Fat Rose and Squeaky, a small indie film he wrote and produced in San Jose. The film is a touching portrait of two elderly women and their struggle for dignity and independence.
That was the kind of story Stan loved to tell: small human tales of hope and decency, family fare with cross-generational appeal.
He went on to focus on writing and producing more positively valued family films over the past few years: