Inspired by the success of shaky hand-held cinematography like that in the recent Lion’s Gate release The Hunger Games, tripod accessory manufacturer Lenbrook LLC of Havordshire, North Carolina has announced the pending release of the “Shudderstik” fluid head tripod attachment.
“From Blair Witch to Cloverfield, Project X to The Hunger Games, shaky-cam technique has become fundamental to the vocabulary of the modern cinematographer,” says Brent Staunam, CEO of Lenbrook. “We’re thrilled to be able to offer these artists the tools to effectively and consistently find their kinetic voice in this new style of visual storytelling.” Continue reading “Hunger Games shaky camera inspires Lenbrook “ShudderStik” tripod head”
There’s an exciting new trailer out for Josh Hutcherson’s next film: Carmel By The Sea … and one of my props is featured in it.
CARMEL BY THE SEA – Trailer from Crystal Sky Entertainment on Vimeo.
Watch it FULL SCREEN…. it’s purty.
Continue reading “New Trailer Released for Carmel Movie”
** Related post: Shaky camera technique inspires Lenbrook’s new ShudderStik tripod head
The Hunger Games movie review: Shaky cameras and low budget blues are saved by a strong premise and stronger performances.
The Shaky Camera
Yes, it’s true, the Hunger Games Shaky Camera Effect does suck. But it kind of doesn’t entirely ruin the film.
It’s not just “hand held”. It’s like some palsied old man with tremors (like me) was holding the camera and then hired a guy to grab him by the elbows and shake him mercilessly.
And come on, if you’re one of those people saying it was just in the action sequences, shut up and be honest. The shaky camera isn’t exclusive to the action scenes. It’s used right in the opening sequences, in the most quiet and intimate of scenes, as Katniss soothes her little sister after a nightmare and helps her fall back to sleep… camera jittering and shaking like security cam footage of an earthquake. Continue reading “The Hunger Games review: Strong performances win out over shaky camera”
Sad but true.
Faeries, quite possibly the best unsold or unproduced creature feature horror screenplay on the market today, did not make the finals in the BlueCat Screenplay Competition.
But the readers over at BlueCat did have great things to say.
…awesome, intense, unusual and original … sickly satisfying … [keeps] the audience at the edge of their seats … the only way to do horror movies
And thanks to BlueCat’s unprecedented resubmission process, and feedback notes from multiple readers, we got some great feedback on the screenplay that made it better. And that’s a good thing.
So we’re disappointed. But we wish the finalists, and the winner, all the best.
On to the next challenge!
My screenwriting partner and I can’t always be in the same room at the same time… so we’ve been searching for the best collaborative screenwriting software solution since 2009.
In a perfect world, collaboration would be real-time, it’d work on a Mac or a PC, and it would be compatible with Final Draft, Movie Magic, or any other screenwriting software.
Asking too much? Continue reading “Possibly the best collaborative screenwriting software tool ever”