Very cool series of vids on YouTube from UCLA’s film school. Interviews with producers, directors, agents on how to pitch, what you get out of film school, and more… all good stuff, and always great to get it form the horse’s mouth.
Well, that’s it! We spent a couple more hours beefing up some scenes, fixing some final typos, and tweaking the formatting in Final Draft to bring us in at a perfect 100 pages.
As always, we’ll continually refine the text… we’d like to keep looking closely at the dialogue and left margin, to assure we’ve got just the right verb here, just the perfect turn of phrase there… but it’s braces on a pretty smile… tiny incremental adjustments.
Thanks to our readers for all the great feedback and encouragement. Now we’re off to find some good horror screenplay competitions, get it in front of a few good people in Hollywood, and find a producer who wants a fun, classic horror story with a unique twist — The Descent meets The Birds.
Total man hours: 115 (chip) + 105 (sean) = 220
As Sean and I worked side by side most of the time, total linear clock hours: 125
Total calendar time (since we couldn’t get together as often or for as long as we’d have liked): 11 weeks
To see the blogs that chronicled “the writing of”, click here.
We’ve spent the past few days polishing the script… folded in much (but not all) of the feedback we got, fixed the typos, found some new words that sounded more better.
Still very pleased with the first draft, the structure overall. The polishing is putting that final sheen on it, but it really isn’t getting what I’d call a “second draft”. Don’t think it needed it. Is that hubris? Could be… time will tell. It is after all a genre movie, and it was pretty carefully outlined as such before we set to writing, so we had a clear structural target from the get-go.
Well, it’s been a while since this series has been updated. We’ve had a series of illnesses, a wake to attend, a short road trip (to attend said wake and then to forget about said wake), some storyboards for a music video to get done, and on and on.
But now we’re back at it.
We did hear from the InkTip lead that was looking for just this kind of script: It was a no-go. I suspect that it was largely a budgetary concern… they wanted to make a movie for under a million dollars but our script has heavy CGI, a house that burns down, another building that blows up, and lots of gunfire. Chances are the synopsis alone told them they couldn’t afford it. Just as well… I think the script deserves more lovin’ than that.
We did get feedback from two more readers (here’s the first set of feedback). Reader C called for a little more back story and a little more humor, but overall:
Great job … I think it is ready to rock.
Reader D was very positive:
GOOD FUN! I would really like to see the movie. Excellent gore levels. I particularly enjoyed the character depth and the complex relationships… Thank you for having strong female characters that are actually friends and not having it become a big jealous catfight over a guy. That is so tired. Overall, it was awesome and fun. I’m impressed.
So the feedback overall is solid. Both readers suggested a small amount of additional back story to help explain the Crazy Old Lady’s history with her missing father, as well as some small clarification on the two female leads relationship… this is similar to what we heard before.
We’re folding in many of the minor suggestions people have given us, and expect to have it ready for primetime within a week.
“Write or Die is a web application that encourages writing by punishing the tendency to avoid writing. Start typing in the box. As long as you keep typing, you’re fine, but once you stop typing, you have a grace period of a certain number of seconds and then there are consequences.”
It’s a way cool idea. Haven’t even tried it yet and I know it’s going to be a great tool.
I’ll post my results after I set aside some time to test.