Yup, the Tweet The Meat submission I sold ran today. I promised I’d let ya know. It’s right here. Or here: The kettle screamed. “Tea time,” she chirped, steaming pot in gloved hand. “Sugar?” He couldn’t answer with the funnel taped in his mouth. Lemme know what ya think.
Twitter is giving rise to all kinds of creative applications, including a few ‘zines. Along with PicFic and escarp, there’s the horror focused ‘zine Tweet The Meat, which states: “No serials. No unfinished stories. You must scare us in 140 characters or less. Are you up to the challenge?” Each week the theme is different…[…]
This is a great read, particularly as I’m just undertaking this next step myself (trying to find an agent or manager). Part of the question I’m struggling with is whether it’s better at this point in my (nascent) career to go for agency or management… I haven’t quite decided on that yet. But nevertheless, good[…]
Given the positive response to the female characters in Faeries, I’ve been giving some thought to the issue of writing strong women characters. As a man, I’m often told that it’s not possible for me to do so.
It is true that Lacey, the young girl in Rocket Summer, is probably the least complex character in the script (and that has been pointed out by some readers). But it’s also true that she is the glue for that group of dysfunctional friends… a caretaker, a realist, and a “person of interest” for a pair of boys with very fucked up home lives, one of whom lost his mother at a young age.
Unfortunately, to some, that makes her “stereotypical”… a character whose only job it is to fulfill the traditional “female” roles of mother, lover, nurturer. Me, I take exception to the word “only”. It’s important stuff. And she’s conflicted about it in the process, and seems to be setting aside some of her own desires to take on that role. For me, that’s a strong, flawed, and thus interesting female character.
Some people are never satisfied. […]
Yup, it’s true. We’ve already got one script being considered by a reputable production company. Now we”ve got two irons in the fire. Grampa Was A Superhero is being looked at by a production company in the Midwest… East… Southeast… Hell, I don’t know. Where’s Tennessee? Anyway, the producer has a string of recognizable titles[…]