Sure, superheroes are all over the silver screen. And that’s great for the comics publishers (who get to license the rights to their IP) and great for producers and studios (cuz it’s easier to sell a movie that’s based on an existing brand). But it sucks for the spec screenwriter who doesn’t have said rights (and thus would be wasting his/her time writing an adaptation of, say, The Tick) and still wants to write a superhero movie.
So what’s a spec screenwriter who wants to put their stamp on the superhero genre to do?
Is there room for a nonbranded, unknown superhero at the box office? Well sure. There’s a legacy of unknown heroes, from Cannell’s Greatest American Hero TV series to Wayans’ Blankman, from the borderline brilliant Unbreakable through the very cute Sky High, from the wonderful The Incredibles to the watchable but forgettable My Super Ex-Girlfriend and lastly the simply unwatchable Zoom (somebody needs to apologize for this movie). And need we even mention TV’s Heroes? […]