Given the positive response to the female characters in Faeries, I’ve been giving some thought to the issue of writing strong women characters. As a man, I’m often told that it’s not possible for me to do so.
It is true that Lacey, the young girl in Rocket Summer, is probably the least complex character in the script (and that has been pointed out by some readers). But it’s also true that she is the glue for that group of dysfunctional friends… a caretaker, a realist, and a “person of interest” for a pair of boys with very fucked up home lives, one of whom lost his mother at a young age.
Unfortunately, to some, that makes her “stereotypical”… a character whose only job it is to fulfill the traditional “female” roles of mother, lover, nurturer. Me, I take exception to the word “only”. It’s important stuff. And she’s conflicted about it in the process, and seems to be setting aside some of her own desires to take on that role. For me, that’s a strong, flawed, and thus interesting female character.
Some people are never satisfied.
Yup, it’s true. We’ve already got one script being considered by a reputable production company. Now we”ve got two irons in the fire. Grampa Was A Superhero is being looked at by a production company in the Midwest… East… Southeast……
A minor new development in the ongoing story of our feature horror script “Faeries“. Thanks to a lead from InkTip, the logline and synopsis were submitted to a Canadian production company with some solid success in the creature feature genre….
John August was interviewed on Making Of, where he talks about adaptations and choosing projects. “My favorite genre of movies are movies that get made.” Something you and I have in common, JA. 🙂 Full interview here.
Well, that’s it! We spent a couple more hours beefing up some scenes, fixing some final typos, and tweaking the formatting in Final Draft to bring us in at a perfect 100 pages. As always, we’ll continually refine the text……
We’ve spent the past few days polishing the script… folded in much (but not all) of the feedback we got, fixed the typos, found some new words that sounded more better.
Still very pleased with the first draft, the structure overall. The polishing is putting that final sheen on it, but it really isn’t getting what I’d call a “second draft”. Don’t think it needed it. Is that hubris? Could be… time will tell. It is after all a genre movie, and it was pretty carefully outlined as such before we set to writing, so we had a clear structural target from the get-go.
Well, it’s been a while since this series has been updated. We’ve had a series of illnesses, a wake to attend, a short road trip (to attend said wake and then to forget about said wake), some storyboards for a…
Finally just watched this film, as I’m working on a script that (I was told) might bear some resemblance to it (not this one). I’m happy to say that it doesn’t. What a terrible film, in so many ways. I…
According to ScriptShadow, [one of] the best scripts ever written but never made is “Harrow Alley“, written by Walter Brown Newman in the 1960’s. This is it folks. This is the one. Considered to be the best script that’s never…
Well, we’ve gotten feedback from two of our first-draft readers so far.
It was great!! Wow. You guys really put some work into this piece and it shows. Excellent job on many levels … I was intrigued, involved and enjoyed the ride. Felt like a mash-up between Gremlins and The Descent. I don’t think you’ll have any problems getting the right people behind this script!
Of course I lead with the most positive points, and leave out the dumb things he said like “make it better” and whatnot. 🙂 Seriously, he gave us some great feedback, pointed out the weak spots, gave us direction for the second draft but overall, the review was pretty positive.
I think it’s a great first draft. No real notes on structure, some scenes need to be a little more kinetic though.
Somewhat more reserved, as you can see. This reader is an asshole, obviously, and doesn’t realize just how groundbreaking this script is.