Paranormal Activity horror film review
“Once every five years, a guy makes a movie for a nickel that can cross over to a broad audience,” says “Paranormal Activity” producer Jason Blum, who, as a senior executive at Miramax Films, had a producing credit on “The Reader” and acquired the supernatural thriller “The Others.” “And there are about 3,000 of these movies made every year, so this film is about one in 15,000.”
You’ve heard the buzz. Paranormal Activity, “the little indie horror film that could” about a couple who videotapes a demon haunting them in their home, made in a week for $11,000 by a guy with no filmmaking experience (Oren Peli, a video game programmer) gets seen at a horror fest (Screamfest), scares Spielberg so bad he won’t keep the DVD in his house (marketing hype, anyone?), and gets picked up by DreamWorks for the full court press. (LATimes story here)
UPDATE: After my FIRST Zhura posting, I told you that I’d tried creating a new doc from a TEXT file to purge the technology demons from my script. So far less than perfect. I’ve still got niggling problems like whole…
So I spent all last week getting myself up to date on Facebook (here) and LinkedIn (here) and Twitter (here). It’s a time suck, as one good friend on Facebook warned me…. I’m exhausted. And I ain’t done yet. But…
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Let me start by saying that On The Fringe is the kind of story I like. I like Good Will Hunting, Everything is Illuminated and Breaking Away… small town stories, complex characters, and universal interpersonal themes that we can all relate to. And at its core, that’s what On The Fringe is about.
It’s also the kind of story that too few indie filmmakers attempt, at least at the microbudget level. It has no zombies in it. It has no blood. It has no guns. Well, okay, a little blood, and one really old man with a shotgun. But no zombies. Consequently, it may not be for all fans of microbudget indie film.