There are lots of sites and services that charge writers or filmmakers for the opportunity to “pitch” their projects. And there are just as many filmmakers and writers who decry the practice as an outright scam focused on simply taking the money of starry-eyed newbies with no intention of ever really making their movie (see[…]
In 1991 Producer Larry Meistrich launched The Shooting Gallery on the momentum of Laws Of Gravity, stumbled along for the next few years with a slate of art house films, caught lightning in a bottle with Sling Blade… and then the train ground to a painful stop in 2001. From 2001 The Village Voice: On[…]
Sure, superheroes are all over the silver screen. And that’s great for the comics publishers (who get to license the rights to their IP) and great for producers and studios (cuz it’s easier to sell a movie that’s based on an existing brand). But it sucks for the spec screenwriter who doesn’t have said rights (and thus would be wasting his/her time writing an adaptation of, say, The Tick) and still wants to write a superhero movie.
So what’s a spec screenwriter who wants to put their stamp on the superhero genre to do?
Is there room for a nonbranded, unknown superhero at the box office? Well sure. There’s a legacy of unknown heroes, from Cannell’s Greatest American Hero TV series to Wayans’ Blankman, from the borderline brilliant Unbreakable through the very cute Sky High, from the wonderful The Incredibles to the watchable but forgettable My Super Ex-Girlfriend and lastly the simply unwatchable Zoom (somebody needs to apologize for this movie). And need we even mention TV’s Heroes? […]
Erm… ‘kay. Not sure what to say. But it does have Tippi Hedren in it… destined for SyFy, I’d say.
Well, I told you just days ago that our horror screenplay Faeries had made it to the semi-finals of the 2009 Shriekfest screenplay competition. The news just got better. Faeries has now advanced to the finals, baby! Looks like we’ll be heading down to Hollywood again next month, to attend the fest. We will, of[…]