Twitter is giving rise to all kinds of creative applications, including a few ‘zines. Along with PicFic and escarp, there’s the horror focused ‘zine Tweet The Meat, which states: “No serials. No unfinished stories. You must scare us in 140 characters or less. Are you up to the challenge?” Each week the theme is different…[…]
This is a great read, particularly as I’m just undertaking this next step myself (trying to find an agent or manager). Part of the question I’m struggling with is whether it’s better at this point in my (nascent) career to go for agency or management… I haven’t quite decided on that yet. But nevertheless, good[…]
Given the positive response to the female characters in Faeries, I’ve been giving some thought to the issue of writing strong women characters. As a man, I’m often told that it’s not possible for me to do so.
It is true that Lacey, the young girl in Rocket Summer, is probably the least complex character in the script (and that has been pointed out by some readers). But it’s also true that she is the glue for that group of dysfunctional friends… a caretaker, a realist, and a “person of interest” for a pair of boys with very fucked up home lives, one of whom lost his mother at a young age.
Unfortunately, to some, that makes her “stereotypical”… a character whose only job it is to fulfill the traditional “female” roles of mother, lover, nurturer. Me, I take exception to the word “only”. It’s important stuff. And she’s conflicted about it in the process, and seems to be setting aside some of her own desires to take on that role. For me, that’s a strong, flawed, and thus interesting female character.
Some people are never satisfied. […]
A few years ago I ended up talking with Veronica Craven about her upcoming slate of horror films. We chatted about me writing a zombie flick for her but that project didn’t come together (at least not with me). She did, however, have a project going into production called “Pocahauntus” — a cheezy B horror[…]
Yup, it’s true. We’ve already got one script being considered by a reputable production company. Now we”ve got two irons in the fire. Grampa Was A Superhero is being looked at by a production company in the Midwest… East… Southeast… Hell, I don’t know. Where’s Tennessee? Anyway, the producer has a string of recognizable titles[…]
FOLLOW UP: I’ve seen the movie. Here’s my review. Stumbled across this series of clips today from the low budget sci fi actioner “Enigma” from The Shumway Brothers* and Frontier Studios. Love to see this kind of ambitious filmmaking in the indie sci fi genre… the technology is so accessible and affordable now that films[…]
Very cool series of vids on YouTube from UCLA’s film school. Interviews with producers, directors, agents on how to pitch, what you get out of film school, and more… all good stuff, and always great to get it form the horse’s mouth. Here’s their YOUTUBE CHANNEL.
I was directed to this film by somebody on IndieClub. I believe it’s the result of one of those 24 or 48 hour film challenges. Now it’s not long on story (it’s essentially dependent on a twisty), but it is long on good performance, production value and creativity. NOTE that the whole film is one[…]
Just thought this was awesome(ly hilarious). Tarantino, eat yer heart out. This is what you wanted Kill Bill to be! Not quite certain why the buildings bleed. Does the machine girl have a dildo on her nose? Interesting to see that the word “transform” hasn’t been trademarked by Michael Bay. Also interesting that boob guns[…]
A minor new development in the ongoing story of our feature horror script “Faeries“. Thanks to a lead from InkTip, the logline and synopsis were submitted to a Canadian production company with some solid success in the creature feature genre. They’ve asked to read the script, which in our book is a success. Obviously no[…]