All posts tagged “linkedin

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birth of a genre? cowboys and aliens

graphic novel cover
graphic novel cover

Cowboys and Aliens” to mix the sci-fi and western genres

Cowboys and Aliens is a film concept that’s been booted around the industry for a decade or more (since 1997 to be precise), and finally looks to be on the way to production with Robert Downey Jr. in front of the camera, and Ironman director John Favreau behind.

Why so long for what seems like a no-brainer idea that sells itself based on its title alone? For one thing, just a general inability to find a good story in the concept. Variety has a great chart illustrating the time line of this project.

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Faeries at Shriekfest Film Festival


Shriekfest Screenplay Competition finalists include "Faeries" by Chip Street and Sean Meehan.

Let’s get the news out of the way right off the bat: Faeries did not bring home an award in the screenplay competition. But the good news is, the grapevine tells us that we were a very close runner up, and an unofficial judge ‘s favorite for commercial appeal and shootability. Moreover, we walked away with two producers interested in reading the script, and one well-respected studio reader itching to rep it to a few prodcos. So we’re still chuggin’ along.


But we did make it to Hollywood for the Shriekfest Festival, and win or lose, what a gas! Founder and fest director Denise Gossett, her most excellent husband and a bevy of dedicated volunteers put on a really fun, intimate, quality fest on the grounds of Raleigh Studios. Denise is a certified Scream Queen in her own right whose next project, the horror comedy Crustacean, is already in post-production.

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Paranormal Activity: the review

paranormal-activity-movie-poster1Paranormal Activity horror film review

“Once every five years, a guy makes a movie for a nickel that can cross over to a broad audience,” says “Paranormal Activity” producer Jason Blum, who, as a senior executive at Miramax Films, had a producing credit on “The Reader” and acquired the supernatural thriller “The Others.” “And there are about 3,000 of these movies made every year, so this film is about one in 15,000.”


You’ve heard the buzz. Paranormal Activity, “the little indie horror film that could” about a couple who videotapes a demon haunting them in their home, made in a week for $11,000 by a guy with no filmmaking experience (Oren Peli, a video game programmer) gets seen at a horror fest (Screamfest), scares Spielberg so bad he won’t keep the DVD in his house (marketing hype, anyone?), and gets picked up by DreamWorks for the full court press. (LATimes story here)

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Grave Dawn: WWII indie movie

Charlie Hofheimer (Father’s Day, Black Hawk Down, The Village, Blur) co-producing WWII indie film based on a true story. A few years ago I worked on a film project titled “BLUR“. It was a challenging experience, but through it I…

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paying to pitch

There are lots of sites and services that charge writers or filmmakers for the opportunity to “pitch” their projects. And there are just as many filmmakers and writers who decry the practice as an outright scam focused on simply taking…

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Sling Blade producer Larry Meistrich sued for fraud

In 1991 Producer Larry Meistrich launched The Shooting Gallery on the momentum of Laws Of Gravity, stumbled along for the next few years with a slate of art house films, caught lightning in a bottle with Sling Blade… and then…

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the rise of the unsuperhero.

greatest american heroSure, superheroes are all over the silver screen. And that’s great for the comics publishers (who get to license the rights to their IP) and great for producers and studios (cuz it’s easier to sell a movie that’s based on an existing brand). But it sucks for the spec screenwriter who doesn’t have said rights (and thus would be wasting his/her time writing an adaptation of, say, The Tick) and still wants to write a superhero movie.

So what’s a spec screenwriter who wants to put their stamp on the superhero genre to do?

Is there room for a nonbranded, unknown superhero at the box office? Well sure. There’s a legacy of unknown heroes, from Cannell’s Greatest American Hero TV series to Wayans’ Blankman, from the borderline brilliant Unbreakable through the very cute Sky High, from the wonderful The Incredibles to the watchable but forgettable My Super Ex-Girlfriend and lastly the simply unwatchable Zoom (somebody needs to apologize for this movie). And need we even mention TV’s Heroes?

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i will not read your fucking script but if i read your fucking script appreciate my fucking feedback

A History of Violence screenwriter Josh Olson seems kinda pissed.

Apparently he gets asked to read a lot of scripts.

Apparently most of them are crap.

And apparently nobody really wants his honest feedback.

So he wrote a scathing essay over at The Village Voice, outlining just how much this all sucks.

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Faeries is a finalist at Shriekfest

Well, I told you just days ago that our horror screenplay Faeries had made it to the semi-finals of the 2009 Shriekfest screenplay competition. The news just got better. Faeries has now advanced to the finals, baby! Looks like we’ll…

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Sony's Samuel Dickerman, New Deal Studios and Filmworks/FX

I had a hell of a birthday last month… it’s been nearly three weeks, and now I’m finally getting around to writing about it. Marvin Acuna of The Business of Show Institute (BOSI) invited myself and 9 other screenwriters down…