People watching may be the best way to hone those sub-textual writing skills.
So I was standing in CVS looking for a father’s day card for my son (note to self: There are no father’s day cards from dad to son-who-is-a-dad) and of course I wasn’t the only person who’d put it off perilously late.
To my right, a woman and her teen daughter scanning the rows of leftovers.
Enter screen right: A third woman, tension radiating from her clenched up little form like heat waves on a hot tarmac. Continue reading “How the crazy lady at CVS can help write character and dialogue”
Another “regular guy” wants to be a superhero. Will this trend ever end?
- Somebody’s Hero
“In this heart-warming family comedy, average accountant, Dennis Sullivan, is assigned to the account of a young widow and her son, a boy fascinated with a TV hero known as “Man America”. Taking an instant shine to the kid, Dennis visits The Imagination Superstore, where he tries on the ‘Man America’ costume. When he leaps from the dressing room to thwart a robbery, he embarks on a journey more complex than he ever could’ve imagined.”
I’ve already shared a list of six “regular guy superhero” movies, from Kickass to Zebraman. And the list just gets longer … Continue reading “Yet Another “Regular Guy” Wants To Be A Superhero”
Liver cancer and comedy prove a perfect match.
Dying To Do Letterman invited to qualify for Academy Award – raising funds at Kickstarter.
Live Your Dream Or Die Trying
At 35, comedian Steve Mazan learned he was dying of liver cancer. So he did what any sane person would do: he dedicated the next year of his life to earning an appearance on The Late Show with David Letterman.
Five years later, last night, the story of that one year quest had its premiere at the 2011 Cinequest film festival as Dying To Do Letterman. And I was lucky enough to be there. Continue reading “Dying To Do Letterman Premieres at Cinequest”
Or “Why Social Media is like a bad tattoo”.
Okay, that’s hyperbole. But I relearned a lesson recently.
If you’re a budding screenwriter, an indie filmmaker, an aspiring or established anything, social media should oughtta be part of your life. It’s where we make professional connections, build our brand, spread the word and mebbe, just mebbe, start careers.
Are you doing it right?
First, a related story.
Last month, we were interviewing for someone to manage our online marketing. We had one excellent prospect, who interviewed well. He had worked in online marketing for a large name corporation, but had spent the past 18 months doing other things. Understandable. The past 18 months have been tough on everyone. But he was ready to get back into the game.
After the interview, and while contemplating the next round, we did a little Googling. Of course we found his Facebook page, a Twitter feed, and a blog. In the bio section of the blog was this: Continue reading “How social media (almost) ruined my screenwriting career”
Finding your descriptive voice in screenwriting
Screenplays aren’t Literature.
If there’s one core screenwriting truth you’re supposed to learn as soon as possible, that’s it. All the stuff that made your fiction writing awesome, all the flowery language, the detailed descriptions, and lengthy internal dialogues are anathema to the script. That two page treatise on your protagonists 1970’s wardrobe and its roots in a painful high school career fraught with bullying and inattentive parents? Fuggedaboudit. What got you gold stars in creative writing will get you tossed at page one by an intern at insertprodcohere.
In screenwriting, the industry tells us, your descriptive passages must remain simple, clear, minimalist. Describe ONLY what the viewer might see (with a few exceptions) and eschew Literary flourish (as well as directorial specifics – but that’s another discussion).
Play a little telephone
I often tell people: Imagine you’re watching an awesome movie (your movie is awesome, right?), and you’re on the phone with a friend. You’re describing to them what’s happening, while it happens. In fact, try it. Turn on the TV, call a friend, and see how it feels to really try to keep the story moving real time… 1 minute per page, 90 pages for 90 minutes.
Here’s what happens when you insist on being Literary on the phone: Continue reading “Writing screenplay description with personal style”