I was directed to this film by somebody on IndieClub. I believe it’s the result of one of those 24 or 48 hour film challenges.
Now it’s not long on story (it’s essentially dependent on a twisty), but it is long on good performance, production value and creativity. NOTE that the whole film is one continuous shot. Given how shitty so most indie films are, how shitty most shorts are, and how shitty most “film challenge” films are, I thought this was well worth sharing.
Color me impressed.
Here’s a better rez version on 48.tv.
Just thought this was awesome(ly hilarious).
Tarantino, eat yer heart out. This is what you wanted Kill Bill to be!
- Not quite certain why the buildings bleed.
- Does the machine girl have a dildo on her nose?
- Interesting to see that the word “transform” hasn’t been trademarked by Michael Bay.
- Also interesting that boob guns haven’t been trademarked by Mike Myers.
- Chainsaw face and machine girl reveal by the folks who brought you Total Recall.
Oh! And here’s the website! Not much there though…
A minor new development in the ongoing story of our feature horror script “Faeries“.
Thanks to a lead from InkTip, the logline and synopsis were submitted to a Canadian production company with some solid success in the creature feature genre. They’ve asked to read the script, which in our book is a success. Obviously no decision has been made (we’ll post when we have a reply) but here’s why it’s already a success:
Previously on InkTip, we had posted our other feature script “Grampa Was A Superhero“. The script has been available through the site for nearly a year, and the logline has been reviewed over a hundred times. More than 10 percent of those viewers have clicked on through to the synopsis (a conversion rate we sense is good, but plan on talking with InkTip to learn more). Of those, one prodco (Ice Cube’s “Cube Vision Productions” of Are We There Yet fame) has viewed the entire script but apparently chosen to pass. So it’s still available, if you’re looking for a fun family comedy road movie (Home Alone meets Wild Hogs).
Similarly, Rocket Summer has had some success, being optioned for a total of two years (it’s now available again if anybody needs a great coming-of-age story in the vein of Stand By Me, October Sky and Breaking Away). But its conversion rate on InkTip was poor.
We see the request for Faeries as a success not because we expect a sale or option to come out of it (that would be great though – written in 125 hours, optioned within a month of completion… great ROI) but because it shows that this logline and synopsis are working for us better than those for the other scripts. Sure, it could mean a lot of other things too, like Faeries is simply a more commercial, genre specific project (true) with a simpler hook and more straightforward storyline (also true). But we’re definitely motivated to refine the synopses and loglines for the other scripts in short order, as we’re learning more and more every day.
John August was interviewed on Making Of, where he talks about adaptations and choosing projects.
“My favorite genre of movies are movies that get made.”
Something you and I have in common, JA.
Full interview here.
Away We Go is just the latest in a long line of “indie” films to leverage the oh-so-cool “hand drawn title” font, lending it serious street cred and instant indie validation before anyone even sees the film.
Recently popularized by 2007’s JUNO, the quirky hand-made title font brought visions of diary entries and emo-teen angst-filled journal poems, setting appropriate audience expectations by screaming “We’re an honest unassuming micro-brew movie!”
Leveraged again in 2008’s Nick and Norah’s Infinite Playlist, the wacky font inferred the hand written liner notes of a home-made mix tape. Plus, it promises that the movie is probably intimate, personal and low-fidelity-artsy, reminding us of the days of cassette mix tapes and Bic-penned song lists rather than CD’s and laser printered liners.
So then does 2009’s Away We Go not only give us a title font designed in the margins of a high-school English quiz, but an entire poster cartooned/rotoscoped like a modern-day Yellow Submarine (1968) or 1971’s The Point… or more contemporarily, hearkening right back to 2007 and JUNO’s opening title sequence — or the JUNO Soundtrack cover (See below). How quirkily indie-filmishly self-referential and hip. (Do the kids say “hip” any more? Or am I just fixated on “hip” because mine hurts?)
Yes, the same design firm (Shadowplay Studio) did the titles for both JUNO and Nick and Norah (not sure yet about Away We Go, but I’m guessin’). Anyway, sure they do fine work and all. But how long will it be before looking just like JUNO has people saying “What, again?” instead of “Ooh! Again!”.
Got more examples? Please share.
NOTE: In all fairness and in the interest of full-disclosure, I really enjoyed JUNO, plan to see Nick and Norah (love me some Michael Cera – Superbad rocks) and think Away We Go has two of my favorite funny people in it. But come on. This Title design trend is going to become as stereotypically “indie” as the wacky Grampa character addicted to porn.