I was directed to this film by somebody on IndieClub. I believe it’s the result of one of those 24 or 48 hour film challenges. Now it’s not long on story (it’s essentially dependent on a twisty), but it is long on good performance, production value and creativity. NOTE that the whole film is one[…]
Just thought this was awesome(ly hilarious). Tarantino, eat yer heart out. This is what you wanted Kill Bill to be! Not quite certain why the buildings bleed. Does the machine girl have a dildo on her nose? Interesting to see that the word “transform” hasn’t been trademarked by Michael Bay. Also interesting that boob guns[…]
A minor new development in the ongoing story of our feature horror script “Faeries“. Thanks to a lead from InkTip, the logline and synopsis were submitted to a Canadian production company with some solid success in the creature feature genre. They’ve asked to read the script, which in our book is a success. Obviously no[…]
John August was interviewed on Making Of, where he talks about adaptations and choosing projects. “My favorite genre of movies are movies that get made.” Something you and I have in common, JA. Full interview here.
Away We Go is just the latest in a long line of “indie” films to leverage the oh-so-cool “hand drawn title” font, lending it serious street cred and instant indie validation before anyone even sees the film. Recently popularized by 2007’s JUNO, the quirky hand-made title font brought visions of diary entries and emo-teen angst-filled[…]
Well, it’s been a while since this series has been updated. We’ve had a series of illnesses, a wake to attend, a short road trip (to attend said wake and then to forget about said wake), some storyboards for a music video to get done, and on and on. But now we’re back at it.[…]
Just got this lowdown in my email on a film from the upcoming New York International Independent Film & Video Festival. It’s About Time When the Earth’s Atomic Clock is altered by one second, three friends must deal with the unexpected affect it has on their lives. Directed by Kevin Shinick (Writer/Director/Actor, Without A Trace,[…]
Good news in tough economic times… an exciting new studio is launching in NY, with a stack o’ cash and a distribution network in place. Is this the best time to launch? Or the worst? And what does it mean for screenwriters who aren’t attached to a production company? A quick look at the “Greenlight[…]
Well, we’ve gotten feedback from two of our first-draft readers so far.
It was great!! Wow. You guys really put some work into this piece and it shows. Excellent job on many levels … I was intrigued, involved and enjoyed the ride. Felt like a mash-up between Gremlins and The Descent. I don’t think you’ll have any problems getting the right people behind this script!
Of course I lead with the most positive points, and leave out the dumb things he said like “make it better” and whatnot. Seriously, he gave us some great feedback, pointed out the weak spots, gave us direction for the second draft but overall, the review was pretty positive.
I think it’s a great first draft. No real notes on structure, some scenes need to be a little more kinetic though.
Somewhat more reserved, as you can see. This reader is an asshole, obviously, and doesn’t realize just how groundbreaking this script is. […]
And… scene! Spent a few hours today tightening up some loose ends on the first draft. Gave the dog some more face time. Figured out how we could keep the spray can of bear piss, have it still be relevant, then when to get rid of it. Wrote a new stanza for the Victorian poetry[…]