Paranormal Activity is particularly tricky to sequel, I think, because it used a narrative trope that’s especially troublesome for character development, and challenges basic film vocabularies. Yet it succeeded — for me, it’s the film that squeezed the most storytelling success out of the auto-chronicled narrative conceit.
My hope is that the producers of Paranormal Activity 2 spent some time thinking about why Paranormal Activity worked so well, what they did right in their use of the auto-chronicled narrative conceit, and how they can creatively and artistically build on the original to make this sequel as compelling, if not more so, than the original.
Until we get a chance to judge for ourselves, we’ll have to guess from the trailer…
Where The Wild Things Are – a disappointing imbalance of dramatic and thematic intent. I knew going in. I’d heard the reports, seen the reviews, and I knew. “It’s awfully dark,” they’d say. “It’s not a kid’s movie.” “But it’s…
Let’s get the news out of the way right off the bat: Faeries did not bring home an award in the screenplay competition. But the good news is, the grapevine tells us that we were a very close runner up,…
Tagged with: dark house
, denise gossett
, jeffrey combs
, mick garris
, shriekfest 2009
, tammi sutton
Posted in film
, writing faeries
Just got a tip from Paramount… If you read my review of Paranormal Activity and are still hoping to catch it, here’s the heads up that it is sneaking STARTING TONIGHT at MIDNIGHT at the: AMC Mercado 3111 Mission College…
Paranormal Activity horror film review “Once every five years, a guy makes a movie for a nickel that can cross over to a broad audience,” says “Paranormal Activity” producer Jason Blum, who, as a senior executive at Miramax Films, had…