Paranormal Activity sequel promises to out-boo its predecessor – will it succeed?
If you read my exhaustive review of Paranormal Activity, you know I was a big fan of (99% of) the film.
Paranormal Activity is the movie The Blair Witch Project wanted to be and Cloverfield didn’t even try to be. Discuss amongst yourselves the relative success or failure of The Last Broadcast, REC or its American remake Quarantine.
But we all also know that more often than not, sequels tend to disappoint (unless the audience’s requirements are low – Hello, Twilight).
Where The Wild Things Are – a disappointing imbalance of dramatic and thematic intent.
I knew going in. I’d heard the reports, seen the reviews, and I knew.
“It’s awfully dark,” they’d say. “It’s not a kid’s movie.”
“But it’s a kid’s book,” I’d say. “It’s about a boy who imagines a land with friendly monsters. How can that not be for kids?”
But in my mind I thought maybe at least it would be an interesting adult take on a kid’s story. And it was a tossup between WTWTA and Jim Carrey’s new 3D Scrooge extravaganza from the people who brought you the robotic and unengaging Polar Express. So I opted for WTWTA.
Ah, but they were right. And I was wrong. And here’s why.
Let’s get the news out of the way right off the bat: Faeries did not bring home an award in the screenplay competition. But the good news is, the grapevine tells us that we were a very close runner up, and an unofficial judge ‘s favorite for commercial appeal and shootability. Moreover, we walked away with two producers interested in reading the script, and one well-respected studio reader itching to rep it to a few prodcos. So we’re still chuggin’ along.
But we did make it to Hollywood for the Shriekfest Festival, and win or lose, what a gas! Founder and fest director Denise Gossett, her most excellent husband and a bevy of dedicated volunteers put on a really fun, intimate, quality fest on the grounds of Raleigh Studios. Denise is a certified Scream Queen in her own right whose next project, the horror comedy Crustacean, is already in post-production.
Just got a tip from Paramount… If you read my review of Paranormal Activity and are still hoping to catch it, here’s the heads up that it is sneaking STARTING TONIGHT at MIDNIGHT at the: AMC Mercado 3111 Mission College…
Paranormal Activity horror film review
“Once every five years, a guy makes a movie for a nickel that can cross over to a broad audience,” says “Paranormal Activity” producer Jason Blum, who, as a senior executive at Miramax Films, had a producing credit on “The Reader” and acquired the supernatural thriller “The Others.” “And there are about 3,000 of these movies made every year, so this film is about one in 15,000.”
You’ve heard the buzz. Paranormal Activity, “the little indie horror film that could” about a couple who videotapes a demon haunting them in their home, made in a week for $11,000 by a guy with no filmmaking experience (Oren Peli, a video game programmer) gets seen at a horror fest (Screamfest), scares Spielberg so bad he won’t keep the DVD in his house (marketing hype, anyone?), and gets picked up by DreamWorks for the full court press. (LATimes story here)
Shriekfest Film Festival announces 2009 Schedule: 40 FILMS * 4 NIGHTS * 3 THEATRES! OCTOBER 1-4, 2009 (Los Angeles, CA) SHRIEKFEST INTERNATIONAL HORROR FILM FESTIVAL is thrilled to announce the full, expanded schedule for the ninth annual horror film festival, returning to Raleigh…
Charlie Hofheimer (Father’s Day, Black Hawk Down, The Village, Blur) co-producing WWII indie film based on a true story. A few years ago I worked on a film project titled “BLUR“. It was a challenging experience, but through it I…
There are lots of sites and services that charge writers or filmmakers for the opportunity to “pitch” their projects. And there are just as many filmmakers and writers who decry the practice as an outright scam focused on simply taking…
Erm… ‘kay. Not sure what to say. But it does have Tippi Hedren in it… destined for SyFy, I’d say.
A History of Violence screenwriter Josh Olson seems kinda pissed.
Apparently he gets asked to read a lot of scripts.
Apparently most of them are crap.
And apparently nobody really wants his honest feedback.
So he wrote a scathing essay over at The Village Voice, outlining just how much this all sucks.