Our horror script “Faeries” has made the semi-finals in the Shriekfest Horror and Sci Fi Film Festival screenplay competition.
Chip and Sean,
Your screenplay has been selected as a semi-finalist in the 2009 Shriekfest Screenplay competition. Congratulations on making it this far. The judges are currently in the process of selecting the finalists for the festival. We will be contacting everyone sometime this coming week. Thank you for your patience.
Don’t know if we get laurels for it, but I’ll take it anyway. Not bad for a script we wrote in 6 weeks, huh?
And let’s not forget that Faeries is also under consideration by a prodco in Vancouver…
Everybody cross your fingers for the finals… it’s a solid script and deserves some more lovin’.
[CLICK FOR UPDATE…]
Given the positive response to the female characters in Faeries, I’ve been giving some thought to the issue of writing strong women characters. As a man, I’m often told that it’s not possible for me to do so.
It is true that Lacey, the young girl in Rocket Summer, is probably the least complex character in the script (and that has been pointed out by some readers). But it’s also true that she is the glue for that group of dysfunctional friends… a caretaker, a realist, and a “person of interest” for a pair of boys with very fucked up home lives, one of whom lost his mother at a young age.
Unfortunately, to some, that makes her “stereotypical”… a character whose only job it is to fulfill the traditional “female” roles of mother, lover, nurturer. Me, I take exception to the word “only”. It’s important stuff. And she’s conflicted about it in the process, and seems to be setting aside some of her own desires to take on that role. For me, that’s a strong, flawed, and thus interesting female character.
Some people are never satisfied. Continue reading
A minor new development in the ongoing story of our feature horror script “Faeries“.
Thanks to a lead from InkTip, the logline and synopsis were submitted to a Canadian production company with some solid success in the creature feature genre. They’ve asked to read the script, which in our book is a success. Obviously no decision has been made (we’ll post when we have a reply) but here’s why it’s already a success:
Previously on InkTip, we had posted our other feature script “Grampa Was A Superhero“. The script has been available through the site for nearly a year, and the logline has been reviewed over a hundred times. More than 10 percent of those viewers have clicked on through to the synopsis (a conversion rate we sense is good, but plan on talking with InkTip to learn more). Of those, one prodco (Ice Cube’s “Cube Vision Productions” of Are We There Yet fame) has viewed the entire script but apparently chosen to pass. So it’s still available, if you’re looking for a fun family comedy road movie (Home Alone meets Wild Hogs).
Similarly, Rocket Summer has had some success, being optioned for a total of two years (it’s now available again if anybody needs a great coming-of-age story in the vein of Stand By Me, October Sky and Breaking Away). But its conversion rate on InkTip was poor.
We see the request for Faeries as a success not because we expect a sale or option to come out of it (that would be great though – written in 125 hours, optioned within a month of completion… great ROI) but because it shows that this logline and synopsis are working for us better than those for the other scripts. Sure, it could mean a lot of other things too, like Faeries is simply a more commercial, genre specific project (true) with a simpler hook and more straightforward storyline (also true). But we’re definitely motivated to refine the synopses and loglines for the other scripts in short order, as we’re learning more and more every day.
Well, that’s it! We spent a couple more hours beefing up some scenes, fixing some final typos, and tweaking the formatting in Final Draft to bring us in at a perfect 100 pages.
As always, we’ll continually refine the text… we’d like to keep looking closely at the dialogue and left margin, to assure we’ve got just the right verb here, just the perfect turn of phrase there… but it’s braces on a pretty smile… tiny incremental adjustments.
So we can officially release the logline and synopsis… we’ve given the script its own page here, and we’ve created a Facebook page for it as well.
Thanks to our readers for all the great feedback and encouragement. Now we’re off to find some good horror screenplay competitions, get it in front of a few good people in Hollywood, and find a producer who wants a fun, classic horror story with a unique twist — The Descent meets The Birds.
Total man hours: 115 (chip) + 105 (sean) = 220
As Sean and I worked side by side most of the time, total linear clock hours: 125
Total calendar time (since we couldn’t get together as often or for as long as we’d have liked): 11 weeks
To see the blogs that chronicled “the writing of”, click here.