If you want to sell a screenplay, or win a screenwriting contest, you have to get past the gatekeepers: The Readers.
The Readers hold the keys to the kingdom … The Readers are the ones tasked with slogging through the “slush pile”, that unfiltered stack of screenplay submissions, and decide if any of them are good enough to pass up the food chain to the people who sign the checks. It’s The Readers who decide if the screenplay gets a “consider” (rare), a “recommend” (essentially a unicorn), or simply tossed out after failing to keep them engaged past page 15 (the fate of 99.9% of submissions).
The Readers are charged with reading stacks of scripts … dozens, hundreds of scripts … and they are, mostly, terrible scripts. Sad, but true. Anyone can press keys on a keyboard. Few can turn it into art. So The Readers get jaded, maybe discouraged, maybe even angry.
So how do you get your brilliant new screenplay past The Readers?
49th Films, an Alaska based blog focused on screenwriting and filmmaking, recently interviewed three readers:
- Synthian Sharp, a reader for independent production companies as well as the Jules Verne Adventure Film Festival, and Valley International Film Festival; lead composer on Val Kilmer’s American Meth; and co-director of the film, How I Became An Elephant.
- Jeanne Marie Spicuzza, who reads for her own production company, seasons & a muse, where her film, The Scarapist, is currently in pre-production. She is a published poet, has performed at poetry slams worldwide, and has been featured at such events as Lollapalooza and Ladyfest.
- And yours truly, who as you know, is an optioned and credited screenwriter, a screenplay judge for the Shriekfest Film Festival and the Cinemar Get Your Short Script Made contest, and a screener for the Santa Cruz International Film Festival, as well as a director.
What I’m asking for from you when you hand me your script, is for me to have the right to trust you’re more than a pro, and that I can simply pretend your script is a skyscraper and I’m about to jump off the top, and as I fall I will hit nothing. I will keep turning pages as I plummet straight down through your story until I arrive at the inevitable conclusion, and stand up feeling only, exactly, the emotions you designed me to feel. That’s what I want. Every legendary writer gives us that. Every single time.
- Synthian Sharp
It’s a good read: Check it out here at 49th Films: Script Reader Q&A (Seeking Pot O’ Gold).
