Time for pickups. All shot MOS, just a few of us required… here’s what we needed.
It’s important to me to establish “Bill” and “Cassie”‘s marriage as a healthy one… Bill makes some questionable ethical decisions, and it’s important that those are weighed against a good relationship, not mitigated by a troubled one. No time to add more scenes to the story, so I wanted some shots for the opening title sequence… kind of “home movie” looking shots of them walking around a pond, feeding ducks, chatting and laughing. We shot around a local pond, and along West Cliff Drive in Santa Cruz… ending on a nice shot of them looking off into the sunset.
Also needed a shot of Kayla’s purse flying into the air, to cut into the car hit shot. Really wanted a close shot, SLOMO, against blue sky… keys and cards flying out. It’s both a stylish impact shot, and a plot point shot… we’ve got a shot of her “organ donor card” lying on the ground splattered with blood. I wanted to see it fly out of the purse to set that up. We stood in the park, surrounded by onlookers, as I threw the purse into the air repeatedly while Matthew hand-held the shot. Took quite a few tries to keep it in frame, but we finally got a usable shot. Not exactly what I wanted, but close enough to work. Next time I’ll put it on a lazy susan against a green screen or something.
We’ve got the party scene in the can: Bill throws himself a “goodbye” party once he gets the news. We had two huge banners that read “SO LONG BILL” but for various reasons they didn’t really read in the wide shots, and we didn’t get inserts. So I wanted a “collage” poster, a “BON VOYAGE BILL” sign with old photos of him through childhood and adulthood. We set it up on a tripod at the park against a backdrop of bushes, and it’ll cut in fine with the party footage.
That was all we needed, I think (as memory serves). That’s it for shooting. Now it’s on to editing. You’ve got the ball, Jay.